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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The boy, 2008 by Petrina Hicks

The boy, 2008

by Petrina Hicks
Image
Rosemary, 2006 by Petrina Hicks

Rosemary, 2006

by Petrina Hicks
Image
Dragonflies, 2021 Petrina Hicks

Dragonflies

Petrina Hicks
Image
Layne Beachley
Layne Beachley
Layne Beachley

Layne Beachley, 2008

Petrina Hicks
Portrait, single channel moving image, colour, silent, continuous loop

Commissioned 2008

Layne Beachley
Layne Beachley
Layne Beachley

Layne Beachley, 2008

Petrina Hicks
Portrait, inkjet print on paper

Commissioned 2008

Layne Beachley

Everybody's heard about the bird

Magazine article by Dr Sarah Engledow, 2008

Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.

Adams Apple, 2013 by Petrina Hicks

Petrina Hicks

More about In the flesh artists

Petrina Hicks has exhibited widely throughout Australia, and internationally, including Germany, Spain, France, Italy, USA and Japan. Her work was selected for screening in the 17th International Videobrasil (2011) and featured in Pingyao International Photography Festival, China (2010).

Walking in tall grass, Lucy, 2010 by Jan Nelson

More about In the flesh artists

General content

The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Divide, 2011 by Sam Jinks

In the Flesh

15 October 2014
Archived media releases 2014

Press releases and image downloads for media.

Divide, 2011 by Sam Jinks

In the flesh

Previous exhibition, 2014

In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.

Penelope Seidler
Penelope Seidler
Penelope Seidler

Penelope Seidler, 2019 (printed 2021)

Anne Zahalka
Portrait, pigment ink print on paper

Purchased 2021

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

23 March 2018
Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

The girls, 2017 by Tamara Dean

Snap decisions

Magazine article by Robert Cook, 2018

NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.

Still Life (Pieta), 2007 by Sam Jinks

More about In the flesh

General content

In the flesh is realised through moments of intimacy, empathy, transitions in life and the transience of life, vulnerability, alienation, restlessness, self-reflection, mortality and acceptance.

Layne Beachley

Collection: Icons

Volume One
Previous exhibition, 2018

When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.

Lee Lin Chin

Icons

Parliament House
Touring exhibition, 2019

When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.

Blow Back
Blow Back
Blow Back

Blow Back, 2018

Julie Rrap
Portrait, pigment photographic prints on paper, hand ground glass

Gift of the artist 2024. Donated through the Australian Government’s Cultural Gifts Program.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

8 March 2018
Archived media releases 2018

Images for media use will be available from 8 March 2018.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Previous exhibition, 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Lauren in Red, 2003

Is the truth of portraiture vested exclusively in likeness?

Magazine article by Michael Desmond, 2006

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

Marcia Langton

The story of us

Magazine article by Penelope Grist, 2022

Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

Automatic for the people: Casey Stoner

Speed demon

Magazine article by Dr Christopher Chapman, 2009

Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.

Lucy, 2001

Technical terminology

Magazine article by Michael Desmond, 2010

Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency